STRAY GODS – Storm the Walls

STRAY GODS – Storm the Walls
Rock Of Angels Records
Released Year:
1. The Seventh Day2. Black Horses3. Alive For A Night4. Silver Moon5. Naked In The Fire6. Love In The Dark7. The World Is A Stage8. Storm The Walls

Bob Katsionis seems quite active lately; after his new work on melodic progressive with Billy Vass, and a new melodic metal/AOR project called WONDERS, he now collaborates with singer Artur Almeida (ATTIK DEMONS), Gus Macricostas on bass and Thanos Pappas on drums, and gives us the debut album Storm the Walls of STRAY GODS, his new classic heavy metal endeavour.

The album is clearly based on IRON MAIDEN in all terms; music, vocals, and feeling. “I didn’t try to make a cheap IRON MAIDEN mimicking album, instead, I started writing music the way that those British Gods of Metal taught me since 1988 when I first encountered their music”, as Bob Katsionis stated, and this is actually the philosophy of the album. Perhaps Storm the Walls is all about how a huge fan of IRON MAIDEN sees and comprehends the bands’ music and history, being a musician himself.

One fact about the album is that the songs seem to run across the 82-84 period and then the 2000s era of the British band. This means that some songs might start with a melody that resembles “Number of the Beast” or “2 Minutes to Midnight“, but they evolve into the version of IRON MAIDEN we see in albums such as Brave New World or Dance of Death – not the Somewhere in Time/Seventh Son… or Fear of the Dark period for example.

On the other hand, the approach of Bob Katsionis is straight-forward, catchy heavy metal,  with a style that mixes the early 80s IRON MAIDEN with the early 00s. Actually, the whole album is like a mixture of Number of the Beast with Brave New World if we could put it simply. Moreover, the vocals of Artur Almeida bring an extra Accident of Birth flavor, as they are very close to the late 90s Bruce Dickinson.

The album has some very good songs, such as “Naked in The Fire”, “Storm the Walls”, or “Love in The Dark”, which are addressed to all classic heavy fans and not just the ones of IRON MAIDEN. But in general, we could say that this an album that will be highly appreciated mostly by IRON MAIDEN fans, especially those who prefer Brave New World or the albums afterwards.

Bob Katsionis has created an image and some musical ideas about IRON MAIDEN all these years, that are now depicted on the Storm the Walls album. An album which unites two different eras of IRON MAIDEN, with emphasis on the 00s period. STRAY GODS with this debut show nothing but respect for the legendary British band and how big of an influence IRON MAIDEN is for the Greek musician.

You can check the discussion about the band in our forum pages.

Forgotten Scroll Fanzing Issue #6

Issue #6 Out Now


Follow Us


CLOVEN HOOF – Heathen Cross

None can describe better the essence of “Heathen Cross” than Lee Payne, founding member (bass) of CLOVEN HOOF and the only one remaining in...

WARLORD: The legend of William J Tsamis lives – Interview and...

To tell you the truth I was a little bit skeptical when I first learned about the Warlord tribute project set by drummer and founding member Mark Zonder and singer Giles Lavery to honor the music and memory of founder guitarist William J Tsamis who unfortunately passed away back in 2021. I was looking at the facts very closely, reading announcements about forthcoming live shows, new line up and a new album. The response from the fans was massive including both positive and negative (or very negative) comments about the above facts. "How can Warlord exist without Bill Tsamis?", they were asking. One afternoon I got a call from Giles Lavery himself asking me if I wanted to do an advance review of the forthcoming Warlord album. I replied positively still being in this skeptical mood. It all went away after the first listen... William J Tsamis was there. His music, his legend, his compositions, evolved into complete songs. In total excitement I texted Giles a single message "Bill is alive". The very next evening found Mark, Giles and I talking about the album, about Bill, about the music and the legacy. It was late at night when we ended the call. I asked them if I can publish our conversation and they got no problem. So here it is again: Me talking with Warlord. The usual stuff I am doing the last 25 years for various reasons. But this time I would not call this conversation an interview. To my eyes this is a big ethical, artistic and soulful statement, by some people who want to keep the Dream, alive.