TRAITORS GATE – Fallen

TRAITORS GATE – Fallen
Label(s):
No Remorse Records
Released Year:
2018
Type:
Full-length
Tracklist:
1. Retribution2. Homeland3. Deceiver4. Mean Streets5. Edge Of Destruction6. Solar Plains7. Fall From Grace8. Sign Of The Cross9. Only The Strong10. Fallen

TL;DR: If you’re into 80s NWOBHM stuff, still love the scene and you’re interested to see how a legendary band from that era sounds like after thirty years of absence, then “Fallen” by TRAITORS GATE is probably the thing you should be looking for. However, if you’re looking for the album that’s going to be remembered as the “comeback album of the year”, then you might want to reconsider.

I’m going to be honest with you: I’ve never listened to anything by TRAITORS GATE before. I knew who they were and that they had released an EP back in the distant 80s, but I never felt the urge to look more into them. Not because I didn’t like them, but because i) I’m not your typical NWOBHM guy and ii) it’s practically impossible to check every NWOBHM band out there. Of course, that had to change once I received a copy of their new album to review, “Fallen”.

Thirty years is a long time for a band to make the return to spotlight, so I wanted to listen to their “Devil Takes the High Road” EP before writing about the new one. And I have to say, after all these years, all three songs included in that EP sound like the way Heavy Metal oughts to sound like, even with today’s standards. I kinda regret for not having listened to it before, but you know what they say: better late, than never.

“Fallen” contains ten songs, five of which were previously released in the 2017 EP, “Only the Strong”. The first thing you’ll notice is the band’s sound has changed significantly compared to the 80s. It’s not a matter of good or bad change, it’s just different. There’re still some references to their roots, but if you tuned in to listen to a new “Devil Takes…”, then you might be disappointed. And to be fair, I don’t think any of the bands from the golden era of NWOBHM is able to produce albums to match their legacy anymore. It’s a matter of evolution: going up and then down, before reaching a plateau. Even “Firepower” by JUDAS PRIEST isn’t considered to be anywhere near to “Screaming for Vengeance”, despite being well-received by press and fans alike.

The band manages to capture the essence of “classic” Heavy Metal in the best possible way. Sy Davies behind the mic (also in REACHER), sounds like a combo of IRON MAIDEN and JUDAS PRIEST (just listened to “Edge of Destruction”), while axeman Andy d’Urso does a nice job in delivering guitar solos that remind me the glorious days of US power metal. And yes, just in case you’re wondering, we’re still talking about a NWOBHM band.

As for the music in the album, I’d say there are some really good moments and songs like “Fallen”, “Only the Strong”, “Sign of the Cross”, “Fall from Grace” and the opening track, “Retribution” are definitely among them. However, these good moments are matched by some weaker moments, that prevent “Fallen” from being an overall great album IMHO. I’d attribute these weaknesses (mostly) to the sound engineering work, as there were times the drums sounded louder than everything else, thus messing the way everything blended together. Also, when it comes to the actual drums-work, I believe they could come up with a few more interesting ideas, as some parts sounded pretty “standard” (to me) compared to everything else.

TRAITORS GATE showed everyone they kept the fire burning all this time, and all it took was a gentle push to get things moving again. “Fallen” is definitely not the spectacular comeback you might have expected, but it certainly stands for what heavy metal should be all about: love and dedication ’till the end. Let’s hope these guys remain active, as I’m pretty sure they can deliver some top notch NWOBHM while the iron is still hot.

Forgotten Scroll Fanzing Issue #6

Issue #6 Out Now

76 pages, 10 interviews. DAMASCUS (US) SANCTUM (US) HORIZON'S END (GR) LORD OF LIGHT (SWE) ETERNAL CHAMPION (US) GOTHIC STONE (IT) LEVIATHAN (US) NEAR INFINITY (US) ANGEL EDGE (US) OBLIVION KNIGHT (US) plus LEGIONED MARCHER (US)...

Follow Us

1,346FansLike
21FollowersFollow

CLOVEN HOOF – Heathen Cross

None can describe better the essence of “Heathen Cross” than Lee Payne, founding member (bass) of CLOVEN HOOF and the only one remaining in...

WARLORD: The legend of William J Tsamis lives – Interview and...

To tell you the truth I was a little bit skeptical when I first learned about the Warlord tribute project set by drummer and founding member Mark Zonder and singer Giles Lavery to honor the music and memory of founder guitarist William J Tsamis who unfortunately passed away back in 2021. I was looking at the facts very closely, reading announcements about forthcoming live shows, new line up and a new album. The response from the fans was massive including both positive and negative (or very negative) comments about the above facts. "How can Warlord exist without Bill Tsamis?", they were asking. One afternoon I got a call from Giles Lavery himself asking me if I wanted to do an advance review of the forthcoming Warlord album. I replied positively still being in this skeptical mood. It all went away after the first listen... William J Tsamis was there. His music, his legend, his compositions, evolved into complete songs. In total excitement I texted Giles a single message "Bill is alive". The very next evening found Mark, Giles and I talking about the album, about Bill, about the music and the legacy. It was late at night when we ended the call. I asked them if I can publish our conversation and they got no problem. So here it is again: Me talking with Warlord. The usual stuff I am doing the last 25 years for various reasons. But this time I would not call this conversation an interview. To my eyes this is a big ethical, artistic and soulful statement, by some people who want to keep the Dream, alive.