OATH SC – Hallowed illusions

OATH SC – Hallowed illusions
Label(s):
Independent
Released Year:
2022
Type:
Full-length
Tracklist:
1. Disposable2. Heresay3. Bedsit Symphonies4. Stockholm Syndrome5. Looking Back6. Hallowed Illusions7. Standing on the Edge of the World8. Take This Oath

Oh yes OATH SC, I was wondering if this name would pop up again. Their 2019 album “Computer Warrior” was a pleasant retro release, not life-changing, but something I could easily listen to any time of the day. However, since nowadays bands come and go, projects are created within a couple of hours only to release some songs and then roam purposely in the music world of the Internet, I felt that I wouldn’t listen from them again.

However, the band’s main composer / performer Steven Waddell is back with a new album, this time mastered by Kyle McNeil, the man behind SEVEN SISTERS / PHANTOM SPELL. So not many things have changed since “Computer Warrior” but I wouldn’t actually expect changes.

Waddell keeps his music close to his NWOBHM inspirations, some of them would be ANGEL WITCH, PERSIAN RISK, BLADE RUNNER, early PRAYING MANTIS, early DEF LEPPARD, JAMESON RAID, TRESPASS etc, you know the more melodic ones. That transcribes into mid to fast tunes full of melodic, guitar leads and a hard rockish vibe that makes the album enjoyable.

While most bands that tread the retro path, sound as if they are “too old for this shit” despite being in their early 00s, OATH SC sound is inspired and come up with a couple of interesting ideas. Blending Proto-Metal with Hard Rock, even guitar pop / punk at times, creates sonic delights like “Bedsit Symphonies”, “Looking Back” or “Standing at the End of the World”, not the usual metal tracks but something that fans of good music can actually relate to while songs like “Take this Oath”, “Disposable”, “Heresay” depict a more aggressive side of the band. All of them are guitar driven with catchy choruses and a nostalgic vibe. The crustal clear production empower these elements while Waddell’s vocals, though not exquisite, are perfect both in terms of voice tone and performance.

“Hallowed illusions” is another great album in the band’s arsenal. Though there numerous of cd’s out there each month, I urge you to check them out. You will find something interesting.


You can check some OATH SC airplay on our radio show.

Previous article ONWARD – Of Epoch and Inferno
Next article TALES OF THE OLD – The Book of Chaos
While he struggles between trash and elaborate culture, Zippo, finds himself dwelling into the deepest and most notorious Heavy Metal paths. Or at least that is what he thinks…
Forgotten Scroll Fanzing Issue #6

Issue #6 Out Now

76 pages, 10 interviews. DAMASCUS (US) SANCTUM (US) HORIZON'S END (GR) LORD OF LIGHT (SWE) ETERNAL CHAMPION (US) GOTHIC STONE (IT) LEVIATHAN (US) NEAR INFINITY (US) ANGEL EDGE (US) OBLIVION KNIGHT (US) plus LEGIONED MARCHER (US)...

Follow Us

1,346FansLike
21FollowersFollow

CLOVEN HOOF – Heathen Cross

None can describe better the essence of “Heathen Cross” than Lee Payne, founding member (bass) of CLOVEN HOOF and the only one remaining in...

WARLORD: The legend of William J Tsamis lives – Interview and...

To tell you the truth I was a little bit skeptical when I first learned about the Warlord tribute project set by drummer and founding member Mark Zonder and singer Giles Lavery to honor the music and memory of founder guitarist William J Tsamis who unfortunately passed away back in 2021. I was looking at the facts very closely, reading announcements about forthcoming live shows, new line up and a new album. The response from the fans was massive including both positive and negative (or very negative) comments about the above facts. "How can Warlord exist without Bill Tsamis?", they were asking. One afternoon I got a call from Giles Lavery himself asking me if I wanted to do an advance review of the forthcoming Warlord album. I replied positively still being in this skeptical mood. It all went away after the first listen... William J Tsamis was there. His music, his legend, his compositions, evolved into complete songs. In total excitement I texted Giles a single message "Bill is alive". The very next evening found Mark, Giles and I talking about the album, about Bill, about the music and the legacy. It was late at night when we ended the call. I asked them if I can publish our conversation and they got no problem. So here it is again: Me talking with Warlord. The usual stuff I am doing the last 25 years for various reasons. But this time I would not call this conversation an interview. To my eyes this is a big ethical, artistic and soulful statement, by some people who want to keep the Dream, alive.